Journalist Kate Bolick recently wrote about her experience in visiting artist Andrea Zittel in the Californian desert. Zittel has spent the past 20 years of her career exploring solitude and this path has led her to create her “Experimental Living Cabins” at A-Z West near Joshua Tree National Park.
“Zittel sees herself as part of the 20th-century tradition of American artists leaving cities for the open spaces of the Southwest, but she is aware of her deviations. O’Keeffe and Martin chose the desert as a form of retreat, but Zittel saw it as liberation. As for the parallels often drawn between her and the largely male artists who came to make their massive, macho marks on the desert, she gently notes that she is not interested in “grand interventions,” only in finding meaning in intimate, everyday gestures.”
The ONCA are looking for contributions for Remembrance Day for Lost Species 2017. Human created pollution, climate change and deforestation is causing unprecedented species loss. 40% of the wildlife on earth has disappeared in the last 40 years. Remembrance Day for Lost Species is a chance each year to learn and tell the stories of species driven extinct by human activities, and commit anew to what remains.
The theme of this years remembrance is extinction- and pollinators, a topic close to all of our hearts. Contributions will be shared on the ONCA website, and potentially in the gallery and they welcome all mediums including visual art, performance, creative writing, historical accounts and artefacts. They are also calling for artists, companies, schools and communities to hold memorial events on and around November 30th 2017. These could take the form of processions, “funerals” or participatory events marking the extinction of pollinator species and/or the ongoing threats which human activity poses to surviving pollinators.
If you have a proposal idea or wish to discuss your proposal at any time please contact email@example.com
Praise be to Fedco Seeds of this epically badass farm superhero! In case you missed it, this is the cover of their 2017 seed catalogue. “Trowel and weeder in hand, Magic Molly roams the cosmos rooting out corporate tyranny and planting the seeds of freedom.”
The feminist farmers round these parts are pretty darn excited about these “I Look Like a Farmer” greeting cards. Inspired by photographs from the Female Farmer Project and designed by artist and author Anna Brones, processed from these cards go to support female farmers through Kiva and Women, Food and Agriculture Network.
This fabulous stationary is brought to you from the people behind Comestible Journal, a seasonal quarterly zine that describes itself as “Part food narrative, part food guide, part cookbook, this is a journal devoted to real food.”
You can learn more about the journal, peruse the online shop, and order the greetings cards here!
posted December 11, 2016
Disillusioned by a cultural story of consumption and alienation, a newly married couple are called to action. Carrying with them their unborn child, they embark on a year-long journey around the UK, searching for the seeds of an alternative culture and with it hope for the future.
we the uncivilized: A Life Storyresonates deeply with our sick and nagging sensation that our world of strip malls, fossil fuels, and convenience is not nourishing– in any sense of the word– to the people who live in it. The film is a “grassroots documentary project” that speaks to and with activists, artists, permaculturalists, and others seeking alternative ways of living with each other and within nature.
Seed Journey— a project from the artist group Future Farmers— is a seafaring voyage connected to a public art project. “Seed Journey moves people, ideas and seeds through time and space. This voyage—its crew and cargo—are agents that link the commons as they relate to local networks and a more global complex of seed savers and stewards of the land, air and water. A rotating crew of artists, anthropologists, biologists, bakers, activists, sailors and farmers join the journey and share their findings at host institutions along the route from small harbors to large ports from barns to museums (contemporary art, natrual history and maritime) to social centers.”
It’s no secret that we’re suckers for a beautiful crowd-funding campaign… In this funding crusade, North Carolina author Trace Ramsey, has five more days to fund his upcoming collection of nonfiction All I Want to Do is Live.
Ramsey writes, “This collection is a point of divergence, my entry into literary nonfiction in book form, a point of resolution to continue my journey from self-distribution of chapbooks to getting essays published and receiving national recognition. This new book is what I have worked toward over the last decade.”
Finally! We’ve been waiting for ages for a one-woman musical about climate change, and this one is fantastic! See it live at the United Solo Theatre Festival in Manhattan on Friday, Nov. 18 at 9:00 pm!
Remember Adam and Johanna, the sweet song birds of Songbird Farm in Unity, ME? Good. Just to keep you abreast of their happenings: you can catch Adam’s interview on the Greenhorns Radio here, order his CD here, and see him and Johanna live at the following shows!
The songbirds also report: “We’re heading out on a longer tour in late November, with shows in Kentucky, Indiana, Colorado, Idaho, Washington, Oregon and Montana. More of these dates are contradances, though we’re hoping to add a number of concerts to the tour to promote the songs and stories on Walk These Fields. For more information see: www.sassafrasstomp.com/schedule and to book them: song.bird firstname.lastname@example.org
Grizedale Arts is an arts organisation based on the historic site of Lawson Park farm, above the Coniston valley in the Lake District.
The organisation is a curatorial project in a continuous state of development. Our current site, Lawson Park, is run as a productive small holding and working farm house, with a multifaceted programme of events, projects, residencies and community activity. Central to our ethos is the aim of implementing a more valuable function for art through a unique, cross-disciplinary education programme with a range of activities – all of which function to develop contemporary art in new directions; working beyond the Romantic and Individualist frameworks that have dominated thinking of the past 200 years of art history. Underpinning this programme therefore, is a philosophy that emphasises a use value for art; promoting the potential for art and artists to experiment and affect change in practical and effective roles, as a central tenet of wider culture and society.
The Grizedale Arts programme actively engages with the complexities of the rural environment. Rather than focusing on creating a finished art product we concentrate on the process, and the dissemination of ideas to a wider audience. In doing so, we typically work alongside the local community of a project to develop and realise work with artists – consequently the projects often challenge the artists as much as the local (participatory) audience. The activities are often fed into a major annual project or event that allows public access to the Grizedale’s process; as something that introduces artists’ thinking into everyday life, situating active contemporary arts alongside the culture of the rural environment.