Praise be to Fedco Seeds of this epically badass farm superhero! In case you missed it, this is the cover of their 2017 seed catalogue. “Trowel and weeder in hand, Magic Molly roams the cosmos rooting out corporate tyranny and planting the seeds of freedom.”
The feminist farmers round these parts are pretty darn excited about these “I Look Like a Farmer” greeting cards. Inspired by photographs from the Female Farmer Project and designed by artist and author Anna Brones, processed from these cards go to support female farmers through Kiva and Women, Food and Agriculture Network.
This fabulous stationary is brought to you from the people behind Comestible Journal, a seasonal quarterly zine that describes itself as “Part food narrative, part food guide, part cookbook, this is a journal devoted to real food.”
You can learn more about the journal, peruse the online shop, and order the greetings cards here!
photo: Samuel Oslund
It’s that time of year.
The gifts are torn apart,the wrapping paper lays warm next to the dying tree, boots are on, and people are piling into cars, lining up at shops, trampling and fighting for deals, deals, deals!
We’re doing a little internal shopping. Check out the buy nothing catalogue, a list of things you already have and can appreciate free of cost.
the greenhorns blog team.
photo cred: Danny Lyon
Burn Zone, is Danny Lyon’s newest published work. Burn Zone is a Cri de Coeur directed at the artist community and our youth asking them to join the fight to save planet Earth. In it, photographer and filmmaker Danny Lyon, tells the story of his return to New Mexico after thirty years and the dramatic changes caused there by the use of fossil fuels. (more…)
Seed Journey — a project from the artist group Future Farmers— is a seafaring voyage connected to a public art project. “Seed Journey moves people, ideas and seeds through time and space. This voyage—its crew and cargo—are agents that link the commons as they relate to local networks and a more global complex of seed savers and stewards of the land, air and water. A rotating crew of artists, anthropologists, biologists, bakers, activists, sailors and farmers join the journey and share their findings at host institutions along the route from small harbors to large ports from barns to museums (contemporary art, natrual history and maritime) to social centers.”
LAM 360° (Land Art Mongolia | acronym LAM) is a biennial art festival located in Mongolia. LAM focuses on Land Art as a form of spatial visualization of the relations between nature, culture and social policies. It strongly promotes freedom of expression in joining people and institutions from all sectors of Mongolian society by meshing their respective backgrounds and perspectives through collaboration and networking actions of regional and global scope.
This past festival took place in Southeast Gobi and was called Catching the Axis –in between the sky and the earth. Check out the website to be inspired about ways to make informative and moving LAND ART.
Tabitha is a collaborative exhibit between four women artists (Alison Fox, Meg Lipke, Lauren Luloff and Ruby Palmer) exploring the liminal places between life, transformation, space and time. The result is a haunting boldness actualized in large scale site specific installations, paintings, constructions and more! Girls In Trees, primarily a photography and text exhibit curated by acclaimed novelist Rebecca Godfrey, gathers the work of over 33 renown and emergent artists (mostly from the Hudson Valley) exploring the moments that wilderness and girlhood collude. This is a treasure not to be missed. Nor is the exquisite artist book sharing the title, created in conjunction with the exhibit–now available to purchase online.
Finally! We’ve been waiting for ages for a one-woman musical about climate change, and this one is fantastic! See it live at the United Solo Theatre Festival in Manhattan on Friday, Nov. 18 at 9:00 pm!
Remember Adam and Johanna, the sweet song birds of Songbird Farm in Unity, ME? Good. Just to keep you abreast of their happenings: you can catch Adam’s interview on the Greenhorns Radio here, order his CD here, and see him and Johanna live at the following shows!
The songbirds also report: “We’re heading out on a longer tour in late November, with shows in Kentucky, Indiana, Colorado, Idaho, Washington, Oregon and Montana. More of these dates are contradances, though we’re hoping to add a number of concerts to the tour to promote the songs and stories on Walk These Fields. For more information see: www.sassafrasstomp.com/schedule
and to book them: song.bird firstname.lastname@example.org
Artists and farmers alike, we know it ain’t easy to maintain your art when you’ve got buns in and out of the oven. In fact, I’d say that between the sleepless nights of those early years to the struggle of raising kids on what are not famously-lucrative salaries, raising the next generation of beautiful, free-spirited, progressives is more like a downright herculean task. (Gosh, creative and farming parents, we just appreciate all the work you do!)
Luckily, there are some really smart people out there puzzling over the current societal barriers to maintaining one’s art while raising a family and choosing to have children while pursuing one’s art. Today’s case in point: the Temporary Art Review published this piece on parenting in the creative community. It’s short, makes a lot of practical sense, and is relevant not just for creative parents– but for those in their community interested in supporting them!