plant matter art show in portland maine april 13th

posted March 30, 2018

Rachel Alexandrou has been a regular contributor to Greenhorns New Farmers Almanac over the years. Her stunning work will be shown in a solo art show on April 13th in Portland Maine at Oxbow Brewery’s Gallery 49. Rachel’s current work focuses on concepts of decay, plant matter and herbarium specimens. 20% of the proceeds of the show will be kindly donated by Rachel to two land trust in the area, the Damariscotta River Association and Midcoast Conservancy.
Please support this wonderful artist and the equally wonderful cause that she has chosen.

sight and insight in the californian desert

posted November 23, 2017

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The scorched road leading up to A-Z West, on the border of Joshua Tree National Park. 
Credit: Stefan Ruiz and the NY Times 

Joshua Tree National Park.

“Zittel sees herself as part of the 20th-century tradition of American artists leaving cities for the open spaces of the Southwest, but she is aware of her deviations. O’Keeffe and Martin chose the desert as a form of retreat, but Zittel saw it as liberation. As for the parallels often drawn between her and the largely male artists who came to make their massive, macho marks on the desert, she gently notes that she is not interested in “grand interventions,” only in finding meaning in intimate, everyday gestures.”

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forthland, art, community and harvesting the commons

posted July 16, 2017

We have recently discovered fourthland, a collaborative art and performance community in the UK which first emerged in 2008. It’s hard to do justice to fourthland and the work that they do in words. They create and explore objects, land, people and myths in interlinked creative and unconventional social and artistic ecosystems. The work that they do is concerned with feminine principles and alternative societies these principles permeate everything that they do.

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calling all artists: ecofarm needs your work!

posted March 29, 2017

EcoFarm + Artists

Are you a talented artist or designer looking to help a good cause and get exposure for your artistic endeavors? If the answer is YES, then send a sampling of your work to the wonderful folks at EcoFarm and it could be picked to promote their annual conference in Pacific Grove, CA:

Showcase your artistic vision through a unique design around the yet-to-be-announced theme of the 38th annual EcoFarm Conference. The selected artist will receive significant exposure, an honorarium, and help generate buzz for this iconic event.

Submit your portfolio to deborah@eco-farm.org by Saturday, April 1, 2017. EcoFarm will be in contact with selected artist by Wednesday, April 12. Completed artwork will be due in mid June, 2017.

If you’re unfamiliar with EcoFarm, you should get acquainted! You can learn more by clicking HERE, but this is an incredible organization with a long history of promoting an ecologically sustainable and just food and farming system, as well as putting together an inspiring farming conference each and every year.


call for film submissions

posted March 15, 2017

photo credit – Nino Rocha

Tales from Planet Earth, an environmental themed film fesitival, is looking for submissions to the upcoming 2017 event in Madison.

The theme for this years festival is ‘Land’! Does that resonate with you?

“Standing Rock. Idle No More. The Landless Worker’s Movement. Across the globe, land dispossession—both past and present—is bringing together new alliances and collective actions in the struggle for the rights and sovereignty of local peoples to determine their own futures. The 6th biennial Tales from Planet Earth will showcase stories that inform, challenge, and inspire audiences to rethink relationships to land in an era where greed, corruption, and resource demands are swallowing up ancestral and customary lands, severing cultural traditions rooted in the earth, and threatening the livelihoods, sovereignty, and self-determination of communities throughout the world.”

Filmmakers interested in having films considered for the festival should email the festival project manager, Peter Boger, at pgboger@gmail.com no later than May 1st with a brief synopsis of their film and any other relevant information. We will follow up if we are interested in viewing a screener of the film to consider for the festival program.

 



fictional playbooks for totalitarian dystopia

posted February 1, 2017

Signs of resistance - from bustle.com
Signs of resistance – from bustle.com

The rally of people and movements contra the new President has been incredibly heartening. From the Women’s March, to the 100daysofresistance, we are seeing a powerful civic backlash that America has not witnessed for decades. For years people have conjured up Orwell’s 1984 and Animal Farm references when talking about the state and leaders that seem have little imagination when it comes to their tactics.

In keeping with that theme of stranger than fiction, one very interesting part of the recent protests is the art and posters that we’re seeing are drawing heavily from literature that foretells eerily similar worlds. At The Woman’s March on Washington there were hundreds of signs that nodded to Margaret Atwood’s The Handmaiden’s Tale, the amazing feminist take on dystopia. (more…)


living art in Pennsylvania

posted January 25, 2017

"Brushes, Planets, Misfits and Other Collections" 2014 by Jeffrey Jenkins
“Brushes, Planets, Misfits and Other Collections” 2014 by Jeffrey Jenkins

Here’s something for all you artists, makers, communitarians, diggers (re:archaelogists) and generally strange people: Midlred’s Lane.

Residing on a site named for the homesteader that inhabited the space in the 20th century, a collection of individuals are experimenting with different ways of living/being/working/art making/formulating simply complex sentences. (more…)


resistance of the heart against business as usual

posted January 20, 2017

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Bread and Puppet Theatre, Vermont

by Samuel Oslund

Today might have us thinking a little obsessively about some big level tsoris.

But let’s take a moment to reflect on some of the reasons why we choose to get into farming in the first place. Speaking personally, I decided to farm because I felt it was a very concrete way to have some sort of impact on the troubles I perceived in the world. Disillusioned with politics, education and these broad means of change I saw farming as personal direct action.

Through the repetitive act of farming I slowly stopped seeing it as a political statement, and with each year that past, each additional scar on my hand and wrinkle on my face, I began to see the world through the lens of agriculture. I began to see the connections it makes – how good stewardship of land can bring a community together, that it’s about a lot more than vegetables and cows and endless hours- because through this daily act we begin to see ourselves in relation to all of these things.  (more…)